{"created":"2023-06-20T15:45:30.972447+00:00","id":18,"links":{},"metadata":{"_buckets":{"deposit":"5b8ba611-9f8f-4de2-ac7e-61888003a0db"},"_deposit":{"created_by":2,"id":"18","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"18"},"status":"published"},"_oai":{"id":"oai:hama-med.repo.nii.ac.jp:00000018","sets":["6:14:42"]},"author_link":["12"],"item_2_biblio_info_5":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2006-03-24","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"53","bibliographicPageStart":"37","bibliographicVolumeNumber":"20","bibliographic_titles":[{"bibliographic_title":"浜松医科大学紀要. 一般教育"}]}]},"item_2_description_30":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_2_description_9":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"As argued in my previous paper (“Terayama Sh?ji’s Theatre work: His Experimental Use of the Traditional Kurogo”), a new type of kurogo stagehand emerged in the late 1960s alternative theatre of Japan. Unlike the traditional type, these kurogo were so conspicuous as to impress an audience with their strong presence. The similar experimentation that Terayama carried out in Inugami (Dog God) was done by film director Shinoda Masahiro in Shinj? ten no amijima (Love Suicide at Amijima) independently but almost at the same time (1969). Shinoda brings to the fore kurogo puppeteers who viciously pave the way to the central characters’ tragic end. This paper inquires into the ways in which Shinoda’s filmic depiction of kurogo emphasizes the kurogo’s interference in the couple’s life, even their manipulation of it. It also clarifies what his provocative treatment of the kurogo suggests. By doing so, it shows that like Terayama, Shinoda disapproves of a realistic representation of life and acutely aware that life needs art to delve behind the fa?ade of real life.","subitem_description_type":"Abstract"}]},"item_2_publisher_6":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"浜松医科大学"}]},"item_2_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09140174","subitem_source_identifier_type":"ISSN"}]},"item_2_source_id_23":{"attribute_name":"NII書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN10032827","subitem_source_identifier_type":"NCID"}]},"item_2_version_type_32":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"遠藤, 幸英"}],"nameIdentifiers":[{"nameIdentifier":"12","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-08-27"}],"displaytype":"detail","filename":"kiyo20_3.pdf","filesize":[{"value":"525.6 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kiyo20_3.pdf","url":"https://hama-med.repo.nii.ac.jp/record/18/files/kiyo20_3.pdf"},"version_id":"8bf23a1f-c420-45ab-afb9-b66198ea0c92"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"kurogo","subitem_subject_scheme":"Other"},{"subitem_subject":"film","subitem_subject_scheme":"Other"},{"subitem_subject":"bunraku","subitem_subject_scheme":"Other"},{"subitem_subject":"kekkai (sacred barrier)","subitem_subject_scheme":"Other"},{"subitem_subject":"Shinoda Masahiro","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"THE REVISIONING OF THE REAL: FILM DIRECTOR SHINODA MASAHIRO’S EMPHATIC USE OF KUROGO IN SHINJ? TEN NO AMIJIMA","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"THE REVISIONING OF THE REAL: FILM DIRECTOR SHINODA MASAHIRO’S EMPHATIC USE OF KUROGO IN SHINJ? TEN NO AMIJIMA"}]},"item_type_id":"2","owner":"2","path":["42"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-08-27"},"publish_date":"2013-08-27","publish_status":"0","recid":"18","relation_version_is_last":true,"title":["THE REVISIONING OF THE REAL: FILM DIRECTOR SHINODA MASAHIRO’S EMPHATIC USE OF KUROGO IN SHINJ? TEN NO AMIJIMA"],"weko_creator_id":"2","weko_shared_id":2},"updated":"2023-06-20T16:46:21.411904+00:00"}