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アイテム
Terayama Sh?ji’s Theatre Work : His Experimental Use of the Traditional Kurogo
http://hdl.handle.net/10271/20
http://hdl.handle.net/10271/208c24764b-fd68-4674-9531-d3883f9eae06
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kiyo19_4.pdf (537.0 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2013-08-27 | |||||||
| タイトル | ||||||||
| タイトル | Terayama Sh?ji’s Theatre Work : His Experimental Use of the Traditional Kurogo | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | kurogo | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | stage convention | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | invisibility | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | black symbolism | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Terayama Shuji | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
遠藤, 幸英
× 遠藤, 幸英
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| 書誌情報 |
浜松医科大学紀要. 一般教育 巻 19, p. 49-66, 発行日 2005-02-25 |
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| 出版者 | ||||||||
| 出版者 | 浜松医科大学 | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | In Japanese classical theatre, two unique types of players are rarely given much attention by design. These are the kurogo stage attendants in kabuki, who help chief actors change costumes and look after stage props, and the puppeteers in bunraku who animateﾊ puppet characters. Their common trait is that they are completely dressed in a uniform-like black outfit. Although they appear onstage and move in a stylized manner, they are not considered actors, let aloneﾊcharacters, for their black robes signify the stage convention of invisibility. They play an important, unique role in ensuring that each performance unfolds smoothly and effectively. Despite their practical and artistically theatrical significance, there has been no full-scale research or literature on these kurogo. This paper examines the historical and cultural origins of the convention of kurogo by tracing its links to primordial darkness in Japanese mythology. It also examines the convention’s historical and cultural background by looking into the actual conditions of the candle-lit kabuki stage in the Edo Era. In so doing, this study focuses on the color symbolism, that is, the symbolism of black permeating Japanese traditional culture. In addition, this article presents the preliminary findings of an investigation into the avant-garde dramatist Terayama Sh?ji’s (1935-1983) provocative reinterpretation of the traditional kurogo as purposely visible stage attendants and puppeteers who dare participate in the action of the play | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 09140174 | |||||||
| NII書誌ID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN10032827 | |||||||
| フォーマット | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
