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アイテム
Metamorphosis of Female Impersonators into Strangers in Japanese Popular Theatre
http://hdl.handle.net/10271/2618
http://hdl.handle.net/10271/26182e9ad0d9-0fc6-4a83-8860-e361b3cee0a5
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
kiyo26_01.pdf (276.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2013-08-27 | |||||||
| タイトル | ||||||||
| タイトル | Metamorphosis of Female Impersonators into Strangers in Japanese Popular Theatre | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Itinerant popular theatre | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Female impersonators | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Metamorphosis | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Stranger | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Interbeing | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
Yukihide, Endo
× Yukihide, Endo
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| 書誌情報 |
浜松医科大学紀要. 一般教育 巻 26, p. 1-14, 発行日 2012-03-14 |
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| 出版者 | ||||||||
| 出版者 | 浜松医科大学 | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | Unexpectedly, the Kabuki-styled traveling popular theatre that is marginalized and stigmatized has gradually been receiving unprecedented popular recognition. Through the integration of traditional Kabuki style with modern fashion motifs, this theatre seeks to demonstrate the pleasure of acting in and viewing a theatrical performance. Not only does it cater to an audience that seeks enjoyment, but it also helps the audience perceive moving and inspiring truths about humanity. This theatre is denounced as being artistically unsophisticated, or is simply ignored by mainstream media and high-brow patrons of the arts alike. But unlike mainstream Kabuki, this marginalized theatre makes efforts to develop its own acting style in order to engage the audience’s aesthetic sense of beauty. Its talented performers, especially female impersonators, undergo a metamorphosis that involves a metaphysical joining of the performer and the “stranger”. This enables the performers to transcend the everyday perception of humanity and frees them to express humanity crystallized in style. I will explore the metamorphosis in which the concept of the stranger plays a key role in the dynamics of this marginalized popular theatre from the past and to the present as well as medieval traditions on female impersonation in this marginalized theatre. In so doing, I will refer to the concept of “interbeing” that is situated in between what is same and different or inside and outside. This concept was developed by Richard Kearney who argues that the stranger always resides within every individual. It helps illumine how the stranger in the non-mainstream popular theatre is expressed and reaches out to the audience. | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 09140174 | |||||||
| NII書誌ID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN10032827 | |||||||
| フォーマット | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
